The Saga Concludes: Episode VI Return of the Jedi

I just finished re-watching all six Lucas-era Star Wars films in episode order (I-VI) with the commentary and want to give my reviews of each film. Let me preface by saying that I am a lifelong Star Wars fan who grew up with the original trilogy and literally have no memory of a time in my life before SW. As such, I am not going to be totally unbiased in my reviews, but I will try to be somewhat objective.

A year after Luke's fateful confrontation with Vader, our heroes (including Lando now) are back on Luke's home planet of Tatooine to try and free Han from his carbonite prison in the clutches of Jabba the Hutt. Afterwards they reunite with the Rebel fleet, now much larger and more powerful than ever, where they plan a strike to destroy a second Death Star being constructed under the direct supervision of Emperor Palpatine. The resulting mission climaxes with a dramatic confrontation between Luke, his father, and the emperor to decide the fate of the Skywalkers, the Jedi, and that of the entire galaxy.

Coming to the end of the saga is always such a bittersweet experience for me. I know that RotS was the last one made, but watching this movie is when it really hits me that George Lucas will not be making any more movies like this. The SW saga has had such a treasured place in my heart for my entire life, and the pale imitations that Disney keeps pooping out are more of a reminder of something I can't have any more of (new SW material) than any actual consolation.

That said, this is unfortunately a rather flawed movie. I think it's the most inconsistent in quality of the six movies, with very high high points but a lot of mediocre stuff as well. Lucas really tied his hands by not resolving anything in ESB, especially by leaving the Han Solo cliffhanger, which leads to the awkward situation where the first act of this movie is not really related to the overall plot. As such, the whole story here feels disjointed and not smooth. Let's get into it.

THE GOOD

• All the scenes with Vader, the Emperor, and/or Luke are really the core of this movie and what saves it from mediocrity. I'm constantly impressed by Palpatine's skill at manipulating people. Even though Luke knows he is being manipulated, he still can't control himself. And sure, part of that is the Skywalker impulsiveness, but major credit goes to Palpatine for being so good at what he does.
• As a kid, the final space battle is really why I loved this movie. To see how far the ILM team came in just 6 years is very impressive, because the scale of that battle is something they could only imagine when ANH was made, and it probably pushes the limit of what can realistically be done without cgi.
• It's really satisfying to see Luke finally as a fully-powered Jedi. The way he completely dismantles Jabba's private army hearkens back to Qui-Gon and Obi-Wan being utterly unstoppable against the battle droids in Episode I.
• I know I've mentioned it several times before in other reviews, but Ben Burtt's sound design is just fantastic. The sounds of the speeder bikes in particular are something that has always stuck with me for how cool and unique they sound.
• The choral music that comes in during the final part of the duel between Vader and Luke is amazing and gives me goosebumps every time.
• There are some strong Messianic themes associated with both Luke and Anakin. Luke has come to redeem the sins of Anakin the same was Christ did for Adam. Anakin and Adam both chose themselves and their selfish and prideful desires over doing what was right. Luke, son of Anakin, and Christ, son of Adam, make the opposite choice, choosing self-sacrifice over evil, thus redeeming the sins of their fathers. But in the end it is Anakin, conceived of a virgin, who ultimately destroys death (Palpatine) and restores life (bringing balance to the Force)—sacrificing his own life to do so before being reborn in the Force. So in a way he plays both Adam and Christ in this particular Messianic tale.
• I know this isn't a popular opinion, but I absolutely love that the DVD/bluray version has Force ghost Anakin played by Hayden Christensen. There's something so powerful about seeing him the way he was before he defiled his soul with evil—smiling and happy with his old friends and mentors again. It gets me in the feels every time.

THE BAD

• The entire first act on Tatooine. The only benefit of it is that it establishes Luke as a full-on and very powerful Jedi now. Aside from that, it serves no real purpose for the plot.
• Boba Fett's inglorious end.
• The Ewoks. They bog down the story and it's not really believable to see them beating the Imperial troops. It was an interesting idea to try and parallel them with Germanic tribes beating the Roman Empire, but the execution was ruined by the fact that they are two foot tall teddy bears.
• Death Star rehash. I get that this is the way Lucas originally wrote it and that the Death Star stuff was moved to ANH just in case that was the only movie made, but once it became clear that the whole trilogy was getting made, he should have come up with something different for this movie rather than just doing that again.
• I don't like the special edition diegetic music at all. Give me back the Yub Yub song, please.
• I also don't care for the beak they put on the Sarlacc. Overall, the special edition changes were definitely not a improvement for this film.

THE UGLY

• It's a little odd that Palpatine doesn't struggle at all when Vader picks him up. He just like "Yep, this is my life now" as he gets tossed down the shaft.
• The look of betrayal by Vader when Palpatine tells Luke to kill him (great job by David Prowse portraying that shocked reaction without any facial expressions or dialogue to work with). It's the exact same look Dooku gives Palpatine when he tell Anakin to kill him. I really don't know what Vader thought would happen when he brought Luke to the Emperor. He knows there can be only two Sith at a time, so either he was hoping Luke would kill Palpatine (no indication given of that in this movie) or that Palpatine would kill Luke (in which case why bother capturing him). My only conclusion can be that Anakin is just not very bright at all. Which retroactively make Vader much less cool than we used to think he was. He really does seem like a tragic Shakespearian character in the end, a fool like Othello who wasn't smart enough to see how Iago was manipulating him the whole time and his lack of perception and critical thinking was what undid him. The difference between him and Othello is that the latter is a pawn all the way to the end, while Anakin seizes some small measure of agency by killing his Iago at the end. However, much like with the Shakespeare play, I think it's possible that the SW saga can be interpreted in such a way that the villain is actually the protagonist and the supposed hero is merely a pawn in his game. Throughout the saga, it is Palpatine who always is in control and proactive in pushing forward his own goals. He has almost all the agency in these movies and thus in many ways he is the protagonist, just like Iago.

RATING: 9/10

Review of DS9 Episode 1.05 "Captive Pursuit"

I'm in the process of rewatching Star Trek: Deep Space 9 and reviewing/recapping each episode in detail. Join me in my in depth look at the deepest and most complex Star Trek series to date.

A damaged ship comes through the wormhole, piloted by an agitated creature named Tosk. He comes aboard DS9 for repairs and O'Brien befriends him and tries to earn his trust to figure out what he is so afraid of. He gets his answer when an advanced alien ship appears from the wormhole and attacks the station, but it quickly becomes apparent that their real target is Tosk. Now the crew of DS9 is faced with a moral dilemma and O'Brien's friendship with Tosk may influence him to put his entire career on the line to help his new friend.

Finally we get an episode with the Gamma Quadrant playing a role. I don't know why they waited until the fifth episode to start unpacking this particularly dense web of storytelling potential, but I'm just glad we are here now. The wormhole/Gamma Quadrant will be the driving narrative force for the whole seven seasons of DS9 and it all starts right here, which is very exciting.

Furthermore, even though the terms "Dominion" or "Jem'Hadar" are not mentioned here, this episode definitely foreshadows both. Most obviously: Tosk is very clearly Jem'Hadar or some closely related species created by the Dominion. It seems like a reasonable inference that the Hunters are members of the Dominion and were given slightly altered Jem'Hadar for their hunt (either that or the Hunters created the Tosk and then the Founders liked them so much that they adapted them as their own footsoldiers). Either way, the Dominion connections are clear, though not explicitly stated.

This episode is jam packed with story. At one point I thought the episode was probably close to over and checked the time stamp. Nope—there was still almost a third of it remaining. Probably more happens in any one act of this episode than in the entirety of the previous episode. So obviously there is a lot going on but we'll try to get into some of the details.

THE GOOD

• This story hits all the notes of a classic Trek episode. Moral dilemmas, touching human moments, conflict between Federation and alien value systems, tension and suspense, sci-fi technology, exploring the unknown, and of course, Prime Directive invocations. If you were to design a prototypical good ST episode, this is exactly what it would look like.
• Colm Freaking Meaney. This is why they brought him over to DS9; as a starring actor he can do the same thing Patrick Stewart does on TNG by taking an already very good script and making it great with his acting abilities. There is not a warmer or more relatable character in all of ST than Miles Edward O'Brien, and much of that is due to Meaney's talents.
• I like the interior design of Tosk's ship. The narrow crawl space to get to the inner workings of the ship feels realistic for a 1-man craft.

THE BAD

• The action sequences are very primitive and poorly done. Why do Star Trek directors think that combat is two groups of people standing in the open taking turns firing at each other? This isn't 1776.
• As good of an actor as he is, Meaney doesn't always sound like he believes his own lines when he has to speak technobabble. The lines in this ep about reversing polarity and bypassing phase inducers sound like an actor reading lines, not an engineer talking about his job.
• The episode focuses almost completely on O'Brien, which is nice, but the bad part is that the other characters don't get to do much, including Jadzia and Bashir, who have now played minimal roles in three out of the last four eps.

THE UGLY

• Miles cutting Bashir off sharply during the scene in Ops. This is the first indication of his dislike for Julian.
• Odo Shapeshift count: 1 (picture), 5 total for the series. It seems like my memory of Odo not shifting a lot was faulty, at least so far.

RATING: 8/10

Critical Favorite: Star Wars Episode V The Empire Strikes Back

I just finished re-watching all six Lucas-era Star Wars films in episode order (I-VI) with the commentary and want to give my reviews of each film. Let me preface by saying that I am a lifelong Star Wars fan who grew up with the original trilogy and literally have no memory of a time in my life before SW. As such, I am not going to be totally unbiased in my reviews, but I will try to be somewhat objective.

Three years after the destruction of the Death Star, Han, Luke, and Leia are now all important leaders and heroes in the Rebel Alliance, which is hiding on the barely-habitable ice planet of Hoth. The Empire eventually finds their base and attacks it, scattering the rebels around the galaxy, with Luke going to Dagobah to be trained by Yoda, and Han, Leia, Chewie, and the droids playing cat-and-mouse across the sector with Vader and the Imperial fleet before finally being captured at Cloud City on Bespin. There, Han is frozen in carbonite to be sent to Jabba the Hutt, and Luke, attempting to rescue his friends, is forced into a confrontation with Vader for which he is not ready and which will forever change his life.

This is the most critically-praised of the SW movies, for reasons I only partially understand. As a kid this was always my least favorite of the movies, probably because it's very talk-y and there are no big space battles. As an adult, I've come to appreciate it a lot more due to the character development and its slightly more mature take on SW, but it's still definitely not my favorite of the saga.

THE GOOD

• This is the first movie (both in my viewing order and in the order made) not directed by George Lucas, and because of that, this is also the best movie by far for dialogue. Irving Kershner and the actors rewrote a lot of the lines on the set, and as a result the banter between Han and Leia and Lando is generally good and for once the characters talking is a highlight rather than a lowlight.
• Assisted by the above point, this movie is great in the character development realm. Not only in terms of Han, Leia, and Luke, but also the supporting characters like Chewie and the droids.
• Boba Fett and the Slave I
• "Apology accepted, Captain Needa." You can almost see Hayden Christensen's malicious sneer as Vader says that line.
• I gained a lot of respect for Kershner while listening to the commentary. He had his own spin that he wanted to do on SW, but he also had great reverence for what Lucas had done in ANH and he made sure to be faithful to the spirit of that movie in every way possible.

THE BAD

• Hate, hate, HATE that they replaced Boba Fett's voice with the actor who plays Jango in AotC. The original Fett voice actor had an awesome menacing, gravelly voice and the new voice sounds pathetic by comparison.
• I'm not a big fan of stop motion animation and there is a lot of it in this film. The AT-ATs look fine, but the tauntauns do not. However, the closeups of the animatronic tauntauns look incredible, so it evens out a bit.

THE UGLY

• Apparently the Falcon is able to reach a different planetary system without hyperdrive. No indication is given of distance or how long that took, but we know that that Hoth is on the outer rim where stars are far apart, so most likely any trip that took less than decades would require near-lightspeed velocity that would have some severe relativistic repercussions. Considering Luke seemed to do quite a lot of training during that time, it's possible there is an unacknowledged time lapse of several months, but certainly not years.
• I am forced to wonder what Vader's real plan was. We know he wants to overthrow Palpatine and that he wants to use Luke to do so, but he repeatedly says that he is planning on bringing Luke to the emperor. Was he just saying that for show, all the while planning on smuggling Luke away somewhere secret until he could convince him to join hist plot against Palpatine? Anakin already saw how Palpatine would gladly cast aside an old, less powerful apprentice (Dooku) for a younger and more powerful one (himself), so there's no way he would be stupid enough to actually deliver Luke to him. Doing so would be signing his own death sentence. Yet he inexplicably does that exact thing in the next movie and then looks shocked when Palpatine does to him exactly what he did to Dooku. So maybe Anakin is really just that stupid? Who knows.

RATING: 10/10

Review of DS9 Episode 1.04 “Babel”

I'm in the process of rewatching Star Trek: Deep Space 9 and reviewing/recapping each episode in detail. Join me in my in depth look at the deepest and most complex Star Trek series to date.

A virus that causes people to talk gibberish starts spreading through the station. It’s a race against time to find a cure before everyone is incapacitated...or worse.

Like the previous episode, this is another inconsequential “terrarium” ep. The “virus that makes people act weird and it’s kind of humorous but then we find out it’s actually killing them” trope has been done a lot (and a lot better) in ST and it really has worn thin by now. Aside from some very minor character development for Quark and some great early scenes with O’Brien, this is a very forgettable episode.

THE GOOD

• The O’Brien scenes at the start are great. I love his sarcastic comments, and Colm Meaney is such a great actor (with an awesome accent) that I would be entertained watching him read lines from a quarterly earnings report.
• The shot where it pans through the inner workings of the replicator and then focuses on the sabotage device right as it turns on is a cool one.
• Some good Quark scenes. It’s interesting how he fluctuates between bravado and cowardice seemingly at random, a trend that holds throughout the show’s run.
• Nice continuity mentioning Keiko’s school established in the previous ep. It’s easy to take for granted since all shows do it nowadays, but at the time DS9’s serial storytelling was brand new for ST (and relatively uncommon on TV in general), and the fact that I don’t even notice it most of the time is probably a testament to how well it is done.

THE BAD

• Another claustrophobic episode that takes place essentially all on DS9 (aside from one scene on a runabout).
• *Sisko takes sip of coffee* “O’Brien!” I cringed. They may as well have used a laugh track and a womp womp trombone to go along with that dumb gag.
• A lot of really bad acting from Avery Brooks.
• Jadzia gets nothing to do for the second time in three eps.

THE UGLY

• Odo shapeshift count: 1 (a metal cart...and also the handheld device on top of the cart, oddly enough), 4 total for the series
• Not sure which runabout Kira takes. It’s either the Yangtzee Kiang or the Rio Grande because it doesn’t have the Ganges’ extra module on it.
• The ship that is trying to escape DS9 isn’t visible during the exterior shots of the station and the runabout.

RATING: 6/10

Back to Where it All Started: Episode IV A New Hope

I just finished re-watching all six Lucas-era Star Wars films in episode order (I-VI) with the commentary and want to give my reviews of each film. Let me preface by saying that I am a lifelong Star Wars fan who grew up with the original trilogy and literally have no memory of a time in my life before SW. As such, I am not going to be totally unbiased in my reviews, but I will try to be somewhat objective.

Nineteen years after Palpatine reformed the Republic into the new Galactic Empire and destroyed the Jedi Order, we find ourselves following the story of some young rebels fighting against that Empire as they go on a mission to destroy the Empire's new planet-destroying battlestation, the Death Star.

Going back to where the whole saga got its start, especially immediately after watching the prequels, is always a very special experience for me. Seeing how everything plays out in Episode III gives this movie so much more meaning and emotional resonance. When Luke whines and daydreams, one can't help but remember seeing his father do the same thing in the same settings in the prequels. When we see what a strong and confident leader Leia has become at age of only 19, we can't help but remember her mother, who became queen of Naboo at age 14. And then there's Anakin, now fully immersed in the persona of Darth Vader and embracing his evil choices, while still not quite being able to let go of his childish petulance we saw so much of in the prequels. Every character, setting, and passing reference to the galactic political scene has much more significance when viewed in the context of the prequels.

THE GOOD

• In many ways, this movie looks much better than the prequels. Even though they were extremely limited in what they could do technologically in 1976, the fact that every set and every prop and every person is fully and totally physical gives the movie a much more "real" feel to it than the often cartoonish previous three movies. I think the practical effects age much better too. Even though I've seen this movie probably over a hundred times, I still let out a small gasp at the opening shot of the Tantive IV being pursued by the star destroyer. The models used are amazingly detailed and real-looking and in many ways just look better than the cgi fests in the newer movies.
• In a similar vein as above, I love how dirty and grimy everything is in this movie. And the props also are amazing looking. It probably helps that they were modified real life guns, but Han's German Mauser-based blaster pistol and the stormtroopers' Sterling submachine gun-based carbines in particular are absolutely gorgeous props. Everything in the movie has such a tangible quality that is lacking in the prequels.
• Harrison Ford. What a massive stroke of luck for George Lucas to find him and cast him for this role and this movie. He is perfect in every way, both as an actor and specifically as Han Solo. He is one of the very few people who can speak Lucas-written dialogue and make it sound great. And really, there is no better compliment I can think of for an actor.
• Alec Guinness adds a lot of legitimacy to what could have potentially been a very silly movie. He is the another rare actor who delivers his dialogue so well that you never notice if it is poorly-written or not.
• The third great actor in this movie is Peter Cushing as Grand Moff Tarkin. He posses a calm confidence and air of supreme authority that the petulant Vader does not provide. He is the real villain of this movie and without him the Empire would probably seem cartoonish and not seriously threatening. His cold, calculating menace really adds to the sense of danger for Leia and the rest of the Rebels.
• I really like that the special edition added in the scene with Jabba and Han in the docking bay. Han's actions make a lot more sense with that context added.
• Aurally, this movie is stunning. Between John Williams' legendary score and Ben Burtt's genius sound design the whole movie is a treat on the ears. This is true of all the SW movies, but since this was the first one made and set the tone (literally) for the others, it gets the mention.

THE BAD

• Luke is kind of whiny and annoying. Not nearly as bad as his dad was, but he's a little hard to like, especially when next to charismatic figures like Obi-Wan and Han.
• All of the added cgi for the special edition sticks out like a sore thumb and just plain looks bad. The only exception is maybe some of the stuff from the space battle, which looks ok but not great.

THE UGLY

• The security on the Death Star is atrocious. Why, on a station with millions of Imperial troops, do only a handful stormtroopers at a time ever go after the heroes? And why, in the face of a fighter attack, do you scramble only 6 TIEs for defense when you have thousands on the station? The movie's budget could explain the latter, but it's all extremely silly if you think about it.
• It also makes no sense for the Rebel fighters to enter the trench so far away from the thermal exhaust port, where they are sitting ducks for the TIEs. And why do the fighters who aren't participating in the trench run not cover the ones in the trench?

RATING: 10/10

Review of DS9 Episode 1.03 "A Man Alone"

I'm in the process of rewatching Star Trek: Deep Space 9 and reviewing/recapping each episode in detail. Join me in my in depth look at the deepest and most complex Star Trek series to date.

A Bajoran that Odo put away for murder years earlier appears on the station and has a confrontation with the constable. Shortly after that he is found dead, and all the evidence points to Odo having done it. A search for truth ensues.

This is episode is very much whatever the station equivalent of a ship-in-a-bottle episode would be (stationary terrarium? I got nothing). The entire episode takes place on DS9, and as a result it feels rather low stakes and unexciting. That is unfortunately a trend of the early seasons. The wormhole is a gold mine for fascinating and creative storytelling, but for whatever reason (probably budgetary), much of the first few seasons are spent solely in the Bajoran system and the setting gets extremely claustrophobic as a result.

That said, this isn't a bad episode, just an inconsequential one. The mystery and its resolution are cleverly done, and the plot threads all weave together in a very tidy way that I appreciate as a writer. But the conflict between Odo's sense of justice and Starfleet rules will be done much better in later episodes, and the suspense is very minimal because nobody will really believe that Odo is the murderer. Overall, a mediocre episode by DS9 and ST standards.

THE GOOD

• Cleverly-written mystery with a neat resolution
• Some interesting glimpses of Odo's philosophy and into Dax's history and her Trill nature.
• All of the main characters get involved and play an active role in the story (well, O'Brien is active in the B plot). When you only have 42 minutes to work with, it's impressive that they are able to do that.
• Jadzia is really the highlight of this ep. Terry Farrell has said in interviews that she felt lost and overwhelmed as a 28 year old woman trying to portray a 300 year old being who has lived eight lives, and some of her unease does show through a bit, but overall I think she does a wonderful job. It helps that she is built like a legit Amazonian, because her attempts to project nobility are enhanced by the fact that she towers over many of the other actors.

THE BAD

• Nothing is overly bad, but the episode lacks suspense and doesn't explore much in the way of interesting sci-fi, and the story in inconsequential. It is essentially a cop procedural set on a space station, and that is of little interest to me.

THE UGLY

• Bashir retcon watch (WARNING: this section contains major spoilers for a future story arc) — Does he allow the bubble in the holosuite to burst on purpose? I think that with the way his mental abilities are portrayed post-genetic-engineering reveal, he definitely could have controlled it better than that if he wanted.
• Rom is totally different from future eps. He talks different, is way too confident, and doesn't have that awkward bent-over shuffling walk. 
• Hulk Kira count: 1 — This is the first of many times we see Kira beat up a much larger dude (during the riot scene). It looks utterly ridiculous for a tiny woman like Nana Visitor to be literally tossing around dudes twice her size and yet we are forcefed it throughout the entire series. When Jadzia beats people up it's believable because she is built like a warrior, but Visitor is so petite that it's impossible to buy when she does it.

RATING: 6/10

The Best of the Best: Episode III Revenge of the Sith

I just finished re-watching all six Lucas-era Star Wars films in episode order (I-VI) with the commentary and want to give my reviews of each film. Let me preface by saying that I am a lifelong Star Wars fan who grew up with the original trilogy and literally have no memory of a time in my life before SW. As such, I am not going to be totally unbiased in my reviews, but I will try to be somewhat objective.

The Clone Wars have been raging for three years now. Obi-Wan and Anakin have become great war heroes, and Padme is now secretly pregnant with her first child (well, twins but she and Anakin don’t know that). Meanwhile, Palpatine’s plans are nearly at fruition, as he begins to actively tutor Anakin on the Dark Side, leading to a final confrontation between him and the Jedi council, with Anakin stuck in the middle. Anakin believes Padme will die in childbirth, and Palpatine has promised he can save her, so in order to keep Palpatine (and thus Padme) alive, Anakin betrays the Jedi and becomes Darth Vader. The rest is history.

The movie is really the payoff of the first two prequels. Everything come together here, as the fatal flaws in the Jedi, the Republic, Anakin, and corrupt humanity are all exploited by Palpatine to execute his brilliant and carefully-laid plan to become the supreme ruler of the galaxy. Even if you were one of those people who thought the politics of Episodes I and II were tedious and unnecessary, you can’t possibly argue that the way it comes together in this movie is anything short of genius.

There are very few flaws and many, many high points, which is why overall this is my favorite of all the SW films. The way it ties the two trilogies together in terms of everything—aesthetics, storyline, characters, settings, etc.—is amazing and spine-tingling. So many scene just give me the chills, from Anakin burning in the lava, to seeing Alderaan and Bail and his wife cradling the infant Leia, to Beru and Lars holding the infant Luke watching the twin suns set. The last third of the movie is probably the best forty minutes of cinema I have ever experienced. Thank you, George Lucas, for sharing your artistic vision with the world. There have been some bumps along the way, but as a fan I really appreciate what you have done. Bravo.

THE GOOD

There are too many good parts in this movie for me to note them all, but I’ll try to hit some of the absolute best points

• The opening shot with the space battle might be the best space battle shot of all time. You think it’s just one Republic cruiser in frame and then the camera follows the two Jedi fighters around and on the other side--holy mackerel. What a great shot to start the movie on. That entire space battle is exactly what I had in my imagination reading Michael Stackpole’s X-wing novels as a kid and it was a real treat to see it for real.
• In ANH, Obi-Wan describes Anakin as having been “seduced” by the Dark Side of the Force. Well in this movie we see how incredibly apt of a verb that was. What Palpatine does to Anakin is really a masterful seduction--not a sexual one, but one of power. He knows Anakin’s weakness and exploits it, promising him the power ostensibly to save the one he loves, but really knowing that the power, once tasted, will become and end in and of itself and Anakin will be seduced down a path he can’t retrace (and ironically lose the one he loves as a result). The scene in the zero gravity opera is particularly great in this respect.
• ”So this is how liberty dies—to thunderous applause.” Goosebumps. Every. Time. Padme is kind of an incidental character in this film but at least she gets the best line by far in the whole trilogy.
• Seeing Anakin burn in the lava. And I’m saying that only half-jokingly. Yes, Anakin is a frustrating character and he deserved it for what he does, but also as a kid growing up I always read references in the EU to Anakin being burned in the lavas of Mustafar and that’s why he needed the suit. To finally see it happen and see him become Vader was something I never thought I’d get to experience. It really was the payoff moment for the entire prequel trilogy.
• Vader taking his first breath.
• The entire ending montage, with Alderaan, Tatooine, and Vader, Palpatine, and Tarkin standing on the bridge of the star destroyer as the Imperial March plays. Amazing.

THE BAD

• "ANAKIN...YOU’RE BREAKING MY HEART." 
• Really most of the dialogue is bad, unfortunately, but the above line is probably the one that makes me cringe the most. 
• The cgi isn’t as bad as in AotC, but some moments are still very fake looking, like the flip Dooku does off the railings before the fight with Anakin and Obi-Wan. 

THE UGLY

• I have never been able to decide if Mace Windu actually beats Palpatine, or if Palpatine fakes getting beat in order to force Anakin to save him. He looks legit terrified after Mace beats him and it’s hard to believe he knew Anakin would arrive right in the nick of time and save him. Mace deciding that Palpatine should be summarily executed is also extremely un-Jedi-like and I’ve never totally bought it. That whole sequence is rather confusing, probably due to the numerous re-edit Lucas did in post-production (originally it was very different, apparently).
• In the commentary, Lucas says that there was a whole subplot filmed of Padme helping to form the beginnings of the Rebel Alliance (along with Bail Organa and Mon Mothma), but that storyline was sadly cut from the final version. Someday I hope we get extended versions of the prequels like Lord of the Rings did so we can see stuff like that (as well as the rumored epic 7-hour cut of TPM that has never been released publicly). Unfortunately, since Lucas has given up the franchise to the soulless Disney corporation, I’m pretty sure that will never happen.

RATING: 10/10